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Stax
Records Memphis Soul Music Rhythm & Blues Otis Redding Eddie
Floyd Booker T. & The MG's
STAX
INFOS
page 14
HARD BARGAIN
(January 28, 2004)
Just received a fine CD from the group Hard Bargain. The main singer, by the name of King Arthur Canady, has a voice more than strongly reminiscent of Otis Redding's and the whole record is firmly in the old school southern soul style though recorded in New York.
The tracks are: Slip Away, Tramp, 634-5789, Pretty Woman Blues, People Get Ready, More Blues Than I Can Use, It's My Time, Room 244, Cheatin' On You, Worried Life Blues, I Wouldn't Treat A Dog. All tracks are produced by Michael Cohen.
The group members are: King Arthur Canady (lead vocals), Alan Grossinger (guitar/vocals), Michael Cohen (bass, vocals), Eric Mullins (saxophone), Ron Duncan (drums, vocals), Rafik Cezanne (sax), Bill Wright (lead guitar).
After the recent CDs from McLemore Avenue and the Bo-Keys (see underneath), it is good to know that the Stax/southern soul sound is not dead.
This CD can be ordered at www.cdbaby.com/hardbargain and you will be also able to hear some short samples.
Another CD is due later in 2004.
WATTSTAX ON DVD
SOON
(January 16, 2004)
"WATTSTAX" film production alumni were recently reunited! Director MEL STUART, camera operator LARRY CLARK and audio engineer TOM SCOTT were at Fantasy Studios recording a commentary track for the upcoming "WATTSTAX" DVD. "WATTSTAX - The Special Edition" is scheduled for a summer, 2004 release by Warner Home Video. http://www.wattstax.com/
THE MEMPHIS
GARAGE ROCK YEARBOOK
(November 29, 2003)
Published by our friend Sherman Willmott from Shangri-La Records, Ron Hall's second book is a gorgeous hardbound coffee-table style collection that contains over 300 images of obscure to legendary Memphis garage rock bands, presented in true yearbook fashion.
Includes Tommy Burk and the Counts, Jesters, Flash & The Casuals, Guilloteens, Gentrys, Sam The Sham & The Pharoahs, Box Tops, Castels, Village Sound, Moloch, Big Star, Changin' Tymes, Breakers, Radiants, Shades, Ole Miss Downbeats, Jynx, Ronnie & The Devilles, Coachmen, Escapades, Lawson And Four More, Poor Little Rich Kids, Rapscallions, King Lears, Scepter, Short Kuts, Chasers, Memphis Goons, Travis Wammack Group, Knowbody Else, and many more....
It appears on this site as some of these garage groups cut records on Stax' HIP subsidiary label and were actually recorded and produced at Stax. Some were also published on Ardent Records during the period it was distributed by Stax. Some interesting photos shot at Stax, such as the one below, which shows the Poor Little Rich Kids group in the Stax control room with Jim Stewart (1969?). The stack of tapes on the control board are all Otis Redding master tapes, perhaps gathered here for the editing of the two Otis Redding most mortem Atco LPs.
Don't hesitate to pick this little gem up, available at $34.99 from Shangri-La Records at www.shangri.com.
THE SOUL COMES
HOME DVD AND CD
NOW ON SALE AT SOULSVILLE,USA
(November 26, 2003)
The Soul Comes Home CD and DVD are now available from the Stax Museum shop and this time at normal prices, not the high PBS sponsoring prices. A must buy. Go to www.soulsvilleusa.com to order on line or by mail, fax, phone, etc. Here is Tim Whitsett review of this fantastic event. Fortunately, we were there together!
People from all parts of the
globe ascended on Memphis in late April 2003 for the grand
opening of the Stax Museum of American Soul Music housed in a
rebuilt Stax Records at one of the most famous addresses in the
world 926 E. McLemore Avenue. For forty years, the timeless and
superb recordings that came from this address have had people
dancing all over the world. In Europe, for instance, Stax, with
their down home groove heavy approach to Soul has arguably had
even more of an impact than that of their chief competitor in the
'60s, Motown. And now, here these fans were; not only getting to
see and hear their heroes, but actually tour the rebuilt studio
where Booker T. & the MGs played day after day as the house
band behind a slew of spectacular entertainers including Otis
Redding, Sam and Dave, and Blues God Albert King.
The folks in charge could not have started things off any better
as the great Eddie Floyd kicks the evening off with his 1966
smash "Knock On Wood". Sounding just like a teenager,
the sixty-six year old looks great, and it is evident from his
constant touring with The Blues Brothers, that he is very much on
top of his game. And who's that playing those great licks behind
Mr. Floyd? None other than co-writer and MGs' guitarist Steve
Cropper. Floyd is followed by Jean Knight and her mega selling
1972 hit "Mr. Big Stuff" and then Stax's first true
solo star, William Bell, warms the heart with his timeless first
hit "You Don't Miss Your Water".
The biggest and probably most pleasant surprise of the night came
from former Stax artist Rance Allen. Some knew the name, but few
had any idea what they were in store for. With the pipes of an
opera singer, Allen (who is a legend in the Gospel field), slayed
the audience with "That'll Be Good Enough For Me". He
received a delayed standing ovation from the stunned crowd, who
looked to be still trying to come to terms with what they just
witnessed. There is just no way the CD or DVD could recapture the
power of Allen's performance, and the effect he had on the
audience (not to mention the artists back stage). This must be
what James Brown meant when he talked about breaking out in a
cold sweat.
There were other Soul stars there who didn't record for Stax, but
came to pay homage to the great label, including Percy Sledge.
The main attraction of Memphis's other renowned R & B label (Hi
Records), Al Green delighted the audience doing, of course,
"Let's Stay Together", and also undoubtedly provided
one of the night's highlights with his great "Love and
Happiness". Another BIG legend was there, The King of Rock
and Soul, Solomon Burke, paid tribute to Stax's biggest star Otis
Redding. One has to conclude that Solomon Burke is the ONLY man
alive who could dare do "Try a Little Tenderness" after
Redding put his stamp on it.
The house band for the event was no Booker T. & the MGs, but
they were absolutely fantastic. Former Stax session men Bobby
Manuel (guitar) and Lester Snell (organ) led the group of who's
who's in Memphis including a top-notch horn section, former Bar-Kay
guitarist Michael Toles, a great bassist named James Kinnard, and
the wonderful former Malaco Records drummer James Robertson.
Robertson is the only musician not credited in the CD notes, but
he is, without question, the reason everything sounds as great as
it does. Their backing behind Mavis Staples's super funky work
out of her family's (The Staple Singers) Mack Rice penned hit
"Respect Yourself" and Isaac Hayes conducting a
brilliant and grand version of his "Theme from SHAFT"
make these two of the greatest live performances captured on tape
by Soul acts in a long, long time. Hayes is joined by Charles
"Skip" Pitts, the original wah-wah guitar player on
"SHAFT". There aren't enough superlatives to describe
Pitt's playing. He should be a household name. Mavis Staples is
joined by her fantastic drummer Tim Austin and her sister Yvonne
on backing vocals.
Fans were also treated to the real deal, the three remaining
members of Stax's house band. On one of the DVD's great special
features (entitled Booker T. & the MGs: Cookin' Up Green
Onions), keyboardist Booker T. Jones goes to extra lengths to
point out the genius of their late drummer. "The essence of
the Stax sound had EVERYTHING to do with the drumming of Al
Jackson, Jr.." When Jones, Steve Cropper, and bassist Donald
"Duck" Dunn go into "Green Onions" it is as
if time has stood still for the last forty years. They now employ
the services of Steve Potts, who happens to be Al Jackson's
cousin and a hell of a drummer in his own right. Somehow, as
great as Potts is, it doesn't have the same fire, the same swing,
as "Green Onions" live in the '60s with Jackson. But
after Cropper's solo, Booker starts playing some really inspired
things, the tempo changes, and it becomes as fresh as the first
time you heard it. As awesome as Cropper and company finish this
off, it just doesn't compare to what they did next. Their second
biggest hit, "Time Is Tight" was a ten minute plus tour
de force that reached absolute epic proportions. I saw them live
a month before this concert, and this must have been the first
time they ended the instrumental staple this way. They have
perfected it, and they left the audience enthralled. This is what
they came for. For some absolutely unforgivable reason "Time
Is Tight" was not included on this DVD or on the CD. I am
not exaggerating when I say this is nothing short of a crime.
Instead we get to see Public Enemy's Chuck D. rapping over The
Bar-Kays' great "Soul Finger" and hear another
typically dreadful Percy Sledge reading of "When a Man Loves
a Woman". And here are Booker T. & the MGs, the creators
of the sound that's being celebrated, getting shortchanged. And
also, there's no appearance from The Memphis Horns, though
trumpeter Wayne Jackson and saxophonist Andrew Love did run
through a couple of numbers they did with the MGs in the early
sixties when they were known as The Mar-Keys. Alas, they did not
make the final cut either. At least this means that there will be
consistency in Stax Records and their primary artists not getting
the attention they deserve.
The one sight that will forever remain in my mind is that of
drummer James Robertson and his permanent smile. This is just
plain ole feel good music. There is nothing like it. They should
build a museum!
Tim Whitsett III
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