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INDEX || NEWS || INFOS || STAX TODAY || FOCUS || ADS || LISTS || LINKS || PHOTOS || CONTACT
STAX TODAY
page 13
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| Booker T. Jones' original Hammond
organ on which he recorded Green Onions, more than 40 years ago. Another view of Stax' studio A control room. (c) Joe Pusateri, April/May 2003. |
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| A photo of the Stax building in
decay with many Stax artists autographs (hanging on a
wall at High Stacks Records). Stax' first stereo tape machine on which most Otis Redding hits were cut, shot on its actual location in the Stax studio A control room. (c) Joe Pusateri, April/May 2003. |
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| Wayne Jackson in the Stax studio,
besides his own trumpet, the actual one he played during
the Hit The Road Stax Tour in March 67. The two greatest Stax historians together: Rob Bowman (The Soul Of Stax) and Peter Guralnick (Sweet Soul Music). (c) Patrick Montier, April/May 2003. |
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| At the Isaac Hayes Club: Booker T.
Jones & Deanie Parker. With Pamela Perkins from The
Commercial Appeal. (c) Patrick Montier, April/May 2003. |
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Al Green master tapes in
Willie Mitchell's office. Deanie Parker & David
Porter. |
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| Roger Armstrong from Ace Records (UK
Stax reissues). Sir Mack Rice signing autographs. (c) Patrick Montier, April/May 2003. |
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| The Temprees on stage. The Isaac
Hayes Club, near Beale street. (c) Patrick Montier, April/May 2003. |
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| Stax studio A: original sound
monitor and one of Steve's amps under the control room
window. Wayne Jackson reminisces in the Stax studio with Joe Pusetari. Behind them, the place where the singers stood during the recording sessions. (c) Patrick Montier, April/May 2003. |
INDEX || NEWS || INFOS || STAX TODAY || FOCUS || ADS || LISTS || LINKS || PHOTOS || CONTACT