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STAX
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6
ROB
BOWMAN TOO GOOD NOW FOR GRAMMY AWARDS
(february
25th, 2000)
Though nominated,
our own Rob Bowman did not have a Grammy Award this year, though
he already won a 1996 Grammy Award in the best-album-notes
category for his work on the Complete Stax/Volt Singles: Volume 3
package. This just proves that the Grammies are just a commercial
affair as he is really the best. Let's give him a permanent Stax
Grammy Award!
Click on his
picture to learn all about Rob, his life and his works and don't
forget to buy the Stax bible, Soulsville, USA.
CURTIS
JOHNSON STRIKES BACK!
(february
20th, 2000)
Curtis "Candy"
Johnson has created a new site, dedicated to the latest news
about the Stax Museum Of American
Soul Music
project. Very cleverly done, tasty and informative. Watch
regularly for photos and news. See the pics shot during the last
press conference (some on this site's STAX
TODAY page
too, thanks to friend Curtis). Go to http://curtisj.com/stax.htm or click on the image
below.
STAX MUSEUM AND THE PRESS
(february 20th,
2000)
From the Commercial Appeal, Memphis:
SOUTH
MEMPHIS
Artistic gateways swing wide with plans for Stax museum
Ewarton Museum Inc. unveiled a plan of revitalization and
beautification last week that would remind the world what it
received from a South Memphis neighborhood - and to remind
Memphis of its asset. But now, what Memphis has is a desolate
space at College and McLemore marked by a state historical sign
where Stax Records used to be.
Ewarton Museum Inc., with its board of seven directors, said it
wants to put the $17.1 million Stax Museum of American Soul
Music, Music Academy and Performing Arts Center there.
City and private officials hope the project will create artistic
gateways to the neighborhood. Partnering with the UrbanArt
Commission in the Soulsville Gateways Project, Ewarton, the
Memphis Black Arts Alliance and LeMoyne-Owen College Community
Development Corporation are seeking an artist to oversee a public
art gateway project for the area.
Sherman Willmott, Ewarton's vice president and museum curator,
said the art at the gateways could include images of Otis Redding
and other artists. The pieces would be placed and lighted on the
trestles where the CSX railroad intersects with Bellevue near the
Firehouse Community Arts Center, and on Mississippi near Booker T.
Washington High School. They also would be on the interstate
overpass at Walker near LeMoyne-Owen College.
That project would complement beautification plans by the city's
Office of Planning and Development. Dexter Muller, head of
Planning and Development, said Self Tucker Architects Inc. has
been hired to design a landscape and streetscape project for
McLemore between Mississippi and Neptune, at the Stax project
site.
Muller's project would include adding trees, street furniture,
new sidewalk pavement. Construction would begin in about a year,
he said, and timed with Ewarton's project.
Ewarton officials said they're also seeking Stax and Memphis soul
music memorabilia to stock the museum.
They also want the Soulsville project to complement surrounding
revitalization efforts including the LeMoyne-Gardens HOPE 6
redevelopment and the Commercial Revitalization Plan to bring
business into the area.
They want it to stand with other local landmarks such as Historic
Elmwood Cemetery and LeMoyne-Owen College, both of which have
been improving their sites.
"And what really is just the catalyst is the Stax project,"
Muller said. "It's like an anchor tenant in a mall. It's
just a really important part of revitalizing that commercial
strip. Obviously, if you bring in tourists and bring in people
... they're going to be shopping in that area. "It's a
really great thing, aside from capturing the musical history."
Ewarton officials want tourists and fans of the Memphis Sound to
see something besides desolation when they visit College and
McLemore, where Stax was torn down in 1989.
Its officials said the museum should be part of a system of
Memphis music attractions. Ewarton also sees the revitalized
Soulsville USA complementing Memphis's other musical attractions
such as Graceland, Beale Street, the Rock `N Soul Exhibit and Sun
Studios. "We're going to cross-promote," said board
member and former Stax publicist Deanie Parker. "It's the
only way we can ensure all roads will lead to Memphis."
By Pamela Perkins
____________________________________________________________________________
From Rolling Stone:
Stax Records to Be Immortalized by Music
Legendary soul label will get second life with museum and performing art center
The site of Stax
Records has looked more like a tombstone than a cornerstone for
over two decades; a historical marker is the sole remnant in the
empty lot that once housed the legendary musical institution that
defined and redefined soul and R&B music. But a proposal
released yesterday by Ewarton Museum, Inc. in Memphis looks to
rebuild the seminal Capitol Theater as the "Stax Museum of
American Soul Music."
In conjunction with the City of Memphis and LeMoyne-Owen College,
Ewarton announced plans to build a replica of the Capitol Theater
for the museum, which, according to a statement, will include
"memorabilia, interactive exhibits and other features which
will tell the story of Stax records and soul music." The
multi-million-dollar project also includes the creation of a
music academy, a 500-seat performing arts center and a musical
arts program for neighborhood youth in the neighborhood.
"I feel good because I know the legacy is not going to die,"
says Deanie Parker, a Stax veteran as Deanie Parker and the
Valadors as well as the Stax Director of Publicity from 1966 to
1976. "We're going to be able to provide a place where
children can come and learn about people who they hear on the
radio. They can recognize that the rap song they're listening to
has thirty seconds of a song in it that was created right here in
Memphis."
Established in the late 1950s by siblings Jim Stewart ("St")
and Estelle Axton ("ax"), Stax landed its first major
hit with Carla Thomas' "Gee Wiz" in 1960. What followed
was the creation of an institution impressive not only for its
run of hits over the next two decades by the likes of Otis
Redding, Rufus and Carla Thomas, Booker T. & the MG's, Isaac
Hayes, and Sam and Dave, but also due to its status as that rare
creation: a successfully integrated business during racially
volatile years.
"What this [museum] will become is more than just a place
where tourists and people interested in sharing the music created
at Stax records can come," Parker says. "It becomes
more like Stax was when I was there, and that's a real anchor of
the community. We were a business with an open-door policy, where
you weren't questioned because of the color of your skin or your
gender, or because you had ideas that sounded bizarre. We wanted
to know, do you have a song? Can you play an instrument? What's
your thing?"
"It was a family atmosphere," fellow Stax recording
artist William Bell says of the label's magic. "The changing
times within American society, the freshness of the creativity
and the blending of musical styles; it was a combination of all
that."
While the well of musical creativity never really dried, a series
of bad business transactions doomed the label; on January 12,
1976, Stax closed its doors permanently. "It was like
getting a orce," says Bell, who left shortly before the end.
An apartment complex filled the lot until two months ago, when it
was leveled. Last year, Ewarton purchased the site, as well as
intellectual property and licensing rights for the Stax name.
Fantasy Records, who owns the rights to all Stax recordings, has
joined as a working partner in the deal. An architectural team
has already been contracted, and their plans are slated for
delivery at the end of this year.
Parker is hesitant to offer a date for the museum's opening, but
optimistically suggests that it could be as close as two years
away. As for the Academy, it should launch in the immediate
future, as it is based on the nearby LeMoyne-Owen College campus.
"We can invite back performers and engineers and producers
and others to share their experience and knowledge," Parker
says of the Academy. "We all became successes on somebody
else's shoulders. And so we must become the shoulders of the
future so
we can pass this tradition on."
ANDREW DANSBY
(February 9, 2000)
LORENE
THOMAS' MEMORIES
(february
12th, 2000)
From Bonnie Kalmback:
Fred (of Fred's
Diner on WDIA, Memphis) reported on Lorene Thomas' funeral. He
said there were many celebrities, including Benjamin Hooks and J.
Blackfoot, in attendance. Fred said you could see the strength in
Rufus' face despite the strain of the ordeal and that Carla and
the family were looking good. He said they were married 59 years.
From
THE COMMERCIAL APPEAL, February 9, 2000, thanks to
Bonnie Kalmbach too:
As her family thrived in the entertainment limelight, Lorene
Thomas quietly worked for decades behind the scenes to keep the
local civil rights movement on track. Mrs. Thomas, wife of
Memphis music legend Rufus Thomas, died of heart failure Monday
at Baptist Memorial Hospital. She was 80. In addition to her
husband, she leaves her son, Marvell Thomas, and daughters, Carla
Thomas and Vaneese Warnceke, all of whom followed in their
father's musical footsteps.
"So many
know the family . . . better because they're in the limelight. I
know Lorene as the driving force behind all their success,"
said longtime friend Maxine Smith, former executive secretary of
the Memphis Branch NAACP.
"She was such a strong and supportive mother and wife. She
made many sacrifices to make sure that all of those who were in
the limelight in her family looked good," Smith said.
In 1997, Mrs. Thomas, a retired nurse, was honored by the local
NAACP branch for 40 years of faithful membership.
Mrs. Thomas served as correspondence secretary of the local NAACP
for more
than 25 years. She was particularly successful in membership
drives, bringing in more new members during that time than anyone
else in Memphis.
Smith said Mrs. Thomas was active in every phase of the civil
rights movement: picket lines, voter registration and membership
drives and fund-raisers. "Anything, everywhere, Lorene was
there," she said. "She was as close to sainthood as
anybody I know. She gave so much of herself to so many people
without ever expecting any kind of return. She gave it because of
her greatest asset: her love for people."
Mrs. Thomas was on the NAACP board when retired Criminal Court
Judge H.T. Lockard was president in the 1950s. He remembers her
as a tireless worker. "She was just on top of everything.
She was such an advocate of what the branch stood for . . . and
of course everybody listened when she got up to speak."
Mrs. Thomas, a member of New Salem Baptist Church, also leaves
one grandchild. All of her children live in Memphis, except
Warnceke, who lives in New York City.
THE
STAX MUSEUM PRESS CONFERENCE
(february
9th, 2000)
More details from Curtis Johnson (lead singer of the Chips and the Astors):
About the Press
Conference today, it was a great day. I was there, along with Sam
Jones of the Astors. Estelle Axton was there. She was on
the front row about 2 seats from Al Bell (red hair). She stated
that Jim Stewart had a recent injury, the reason he did not
attend.
Others that were there: Memphis Mayor Dr. Willie Herenton, James
Alexander, Larry Dodson (Bar-Kays), Ben Cauley (the original Bar-Kays),
Norman West (Soul Children), John Gary Williams (Mad-Lads), James
Cross and others from the old Stax family. Isaac Hayes could not
make it, but he faxed a very touching, and supportive letter. It
has been okayed by Deanie Parker for me to post information and
updates to a site I'm developing on the news and progress of the
Stax Museum of American Soul Music as it goes on. It will be a
link from http://www.curtisj.com
HOMAGE
TO MRS. RUFUS THOMAS
(february
8th, 2000)
Standing
(l - r): Marvell Thomas and Mrs., Vaneese Thomas.
Seated (l - r): Carla Thomas, Mrs. Lorene Thomas
and Rufus.
It is such a pain to report that Lorene, the wife of Rufus Thomas and mother of Carla, Marvell and Vaneese, passed away this morning just after midnight. Funeral arrangements have not yet been made. Please keep this family in your prayers.
You can send your condolences at Rufus' WDIA e-mail: rthomas@am1070wdia.com . Rufus and his family must know that they have millions of faithful friends all around the world.
THE
STAX MUSEUM PRESS CONFERENCE
(february
8th, 2000)
I just watched, an hour ago, comfortably sitting in my office over here in France, the press conference for the launching of the STAX MUSEUM.
The Memphis mayor, Estelle Axton, Deanie Parker, Al Bell, Otis Redding III, Sherman Willmott of course and many others (David Porter, Bill Belmont from Fantasy Records...) were here to attend this event. Deanie did a fine historical presentation of Stax.
Fantasy records were kind enough to allow the foundation to use the hand snapping Stax logo, which was all over the room.
The Stax Museum will first take place into the LeMoyne-Owen College, near the McLemore site, while the old Stax building is being reconstructed. The foundation owns the site now. Some plans were shown as well as a poster but I couldn't see what was on it because of the credit card size of the Real Player (tm) screen!
It was a great day. So moving to see Deanie Parker along with Al Bell after such a long time. Unfortunately, Jim Stewart was not there.
Remember that february 8th, 2000 will now be the day of the rebirth of Stax.
Much more details on the www.soulsvilleusa.com official web site which is now on line.
Pat
THE
STAX MUSEUM ON THE WAY
(february
5th, 2000)
A major announcement about the Stax Museum project will be made next tuesday at 10 a.m. (Memphis time). The official web site will be accessible at www.soulsvilleusa.com from tuesday too. More details soon.
MORE
ON O.R. MEM SHOW
(february
2nd, 2000)
The place will be the Peabody Hotel in Memphis.
AN
OTIS REDDING MEMORIAL SHOW
(january
29th, 2000)
The South
Memphis Horns. Photo by Sandra Lowery
An OTIS REDDING Memorial will take place in Memphis on Feb 19,2000. Harvey Scales is singing, backed up by THE BARKAYS. It'll be televised.
More to come from our special reporter Sandra Lowery!
THE
STAX SITE ON US TV!
(january
24th, 2000)
This very web site has been shown on the Memphis TV last week to illustrate that people around the world are still into the Stax sound. It's not a joke! That's fame and glory for you and me!
STAX
MUSEUM
Project would build on vital Memphis asset
(january
21st, 2000)
Another article, thanks to Cherrie Holden at High Stacks Records:
Few assets are as
valuable to Memphis as its music heritage. That makes a proposal
to build a Stax Museum-Music Academy on the site of the
demolished Stax recording studio in South Memphis so exciting.
Few details
have emerged, but the basic idea is appealing. The "Memphis
Sound" emerged from that South Memphis site, created by a
group of inspired black and white musicians who blended
everything from funk to gospel to blues.
Unlike the
abandoned proposal for a Grammy Exposition and Music Heritage
Hall of Fame at The Pyramid, the Stax project is promoted by
Memphians with connections to the Stax legacy, experience in
marketing and ties to museum administration.
Howard
Robertson, the spokesman for the project as a member of the board
of directors of Ewarton Museum Inc., is principal and founder of
Trust Marketing & Communications. He's the husband of Beverly
Robertson, executive director of the National Civil Rights Museum.
Also involved is Deanie Parker, a publicist and songwriter with
Stax in the record company's heyday.
Their
proposal, backed by Mayor Willie Herenton, envisions a
partnership among private donors, various branches of government
and LeMoyne-Owen College. The partners would spend $7 million to
$8 million on a music museum, a music academy for school-age
children, a 500-seat performing arts center and development of
retail space.
The museum and
commercial developments would fill the
block on McLemore between College and Neptune. Herenton wants the
city to commit $2.5 million to the project. Other money would
come from undisclosed private sources; Herenton hinted at a
surprise when that information is released.
The project
would capitalize on the cultural importance of Stax, which
operated in Memphis from the late 1950s until 1979. It is
reminiscent of a variety of neighborhood redevelopment efforts
with cultural anchors in other cities.
The Stax plan
most closely resembles the American Jazz Museum in the 18th and
Vine Historic District of Kansas City, which, like the Stax site,
is predominantly black and economically depressed.
African
American Museum Association President Juanita Moore, former
director of the National Civil Rights Museum here, said the
Kansas City museum, which opened in 1997, draws some 370,000
visitors a year. Most of them take advantage of an arrangement
with the adjacent Negro Leagues Baseball Museum that allows
visitors into both facilities for $8.
The jazz
museum includes interactive exhibits, artifacts and a 150-seat
performing space with live music four nights a week. It's around
the corner from Arthur Bryant's legendary barbecue shop and the
austere Mutual Musicians Foundation. The latter is a union hall
that for decades has drawn black and white Kansas Citians and
tourists to sleep-depriving sessions that begin when some of the
city's best musicians drift into the room after their nightclub
gigs to jam with their friends.
Across the
street is the 500-seat Gem Theater, which also features live
performances. The Jazz District Redevelopment Corp. broke ground
last fall on the second phase of the project, aimed at drawing
shops and restaurants to the neighborhood.
This could be
the kind of project South Memphis needs. Of course, it wouldn't
bring back Stax, where seminal work was done by Otis Redding,
Carla Thomas, Booker T. and the MG's, the Memphis Horns and other
musicians who turned out to be so influential in the development
of American music.
But it could
help keep alive the spirit of the Stax studio and label. It also
could help shore up a sagging neighborhood: That's what
Herenton's third term is supposed to be all about.
MEMPHIS
MAYOR URGES CITY TO HELP
FUND STAX MUSEUM-ACADEMY
(january 19th,
2000)
By Pamela Perkins
The Commercial Appeal
Mayor Willie
Herenton asked the City Council Tuesday to financially support
the development of the multimillion-dollar Stax Museum/Music
Academy.
Tying the
project in with his initiative to revitalize the city's blighted
areas, Herenton said he wants the city to commit $2.5 million to
the "$7 million to $8 million project."
Other funding
would come from county, state, nonprofit sources. Corporations
already have committed to the project, the mayor said without
naming the companies.
He said the
Stax project is "as significant as any musical heritage
project that any of us have had the privilege to announce."
The project
would involve a partnership between private donors, "various
branches of government" and LeMoyne-Owen College, Herenton
said.
Ewarton Museum
Inc., was formed last year to develop the museum and academy at
the old Stax recording studio site at McLemore and College.
The plan,
designed to spark commercial redevelopment in that neighborhood,
calls for a museum, music academy for school-age children and a
500-seat performing-arts center. Commercial development would
include a restaurant and stores.
The museum and
"related developments" would fill the block on McLemore
between College and Neptune, said Howard Robertson, an Ewarton
board member who wasn't present when Herenton talked to the
council.
The
mayor said details of the plan will be announced Feb. 8.
Robertson said
the Ewarton board plans to review design proposals for the
project today.
"It's
really probably going to be in two phases. The initial phase will
be the museum. The academy and the performing arts venue will be
the second part of that in terms of (what will be) built,"
Robertson said.
The site from
which poured music known as the Memphis sound has been desolate
since 1989.
It sports
broken concrete and a state historical marker naming soul artists
who helped create the sound: Isaac Hayes, Otis Redding, the
Staple Singers, Rufus and Carla Thomas.
Herenton's
briefing was the first official announcement of Ewarton's plan.
"We're
going to usher in a citywide renaissance, what we call the Decade
of the Neighborhood."
He said the
Stax project is "one of a number of excellent announcements
we will bring in the next 45 days in this regard."
City crews
began tearing down a vacant 66-unit apartment building at
McLemore and Neptune last week to make room for the museum.
Herenton's
proposal evoked support from council members, including TaJuan
Stout Mitchell, who said developers "are taking the natural
strength of the neighborhood and developing the neighborhood
around its own rich heritage."
Other
supporters include Council Chairman Barbara Swearengen-Holt,
Rickey Peete and Joe Brown.
Councilman
Brent Taylor, however, had concerns over where the city's share
in funding would come from and whether it would involve raising
taxes.
"Although
I want to move forward, it would be very difficult for me to move
forward if it involves a tax increase," he said.
Billions of thanks to Cherrie Holden for sending the news.
ROB
BOWMAN AS GRAMMY AWARDS NOMINEE
(january
9th, 2000)
The next Grammy
Awards will take place on february 3rd, 2000. Rob Bowman author
of Soulsville, USA, the history of Stax Records is a nominee as
album notes writer for the Malaco box set "The Last Soul
Company".
Good luck, Rob.
MORE
DETAILS ON BILLY YOUNG
(january
9th, 2000)
From Heikki Suosalo: Billy Young passed away already on 8/18/99 and was 59 years old. He had a stroke about 10 years ago and had fully recovered but died of a heart attack. The last few years he was involved in programs to help the children and community improvement projects.
All
our sympathy to his wife Patricia.
A
VERY BAD DECEMBER 99
(january 6th,
2000)
Another
Stax singer, Billy Young died from a heart attack a couple of weeks
ago. He just had a good single on Stax/Jotis, produced by Otis
Redding. According to Finish friend Heikki Suosalo, he was living
in Macon, Georgia and doing community work - helping children etc.
- but hadn't been involved in music for a long time.
INDEX -- NEWS -- INFOS -- STAX TODAY -- FOCUS -- ADS -- LISTS -- LINKS -- PHOTOS -- CONTACT